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The Sun Also Rises: The Hemingway Library Edition, by Ernest Hemingway
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Review
Some of the finest and most restrained writing that this generation has produced." (New York World)"An absorbing, beautifully and tenderingly absurd, heartbreaking narrative... a truly gripping story, told in lean, hard, athletic prose." (New York Times)
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About the Author
Ernest Hemingway did more to influence the style of English prose than any other writer of his time. Publication of The Sun Also Rises and A Farewell to Arms immediately established him as one of the greatest literary lights of the 20th century. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. Hemingway was awarded the Nobel Prize for Literature in 1954. He died in 1961.
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Product details
Series: Hemingway Library Edition
Hardcover: 320 pages
Publisher: Scribner; Hemingway Library ed. edition (July 15, 2014)
Language: English
ISBN-10: 9781476739953
ISBN-13: 978-1476739953
ASIN: 1476739951
Product Dimensions:
6.1 x 1.2 x 9.2 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
1,403 customer reviews
Amazon Best Sellers Rank:
#35,180 in Books (See Top 100 in Books)
One of my favorite novels. Always in my top five lists of all time. The novel that I have probably read the most times. Hemingway is what I like to call a "thinking man's author." Unless you are willing to think beyond the written word you will never fully appreciate the brilliance of Mr. Hemingway. In "The Sun Also Rises" and "A Farewell to Arms"(not to mention his great short stories) this concept of thinking beyond the written word is most prevalent and most masterfully displayed. Every single character in "The Sun Also Rises"is a mystery and, after finishing the novel, one is left thinking "I wonder what happened next to that character."Lady Ashley is my favorite female character in all of literature. She is real, uncompromising, and yet a mystery to the very end. She is a siren with a heart or maybe without a heart?Hemingway, unlike such great authors as Lawrence, Proust, Dickens, Tolstoy and Fitzgerald, could describe a scene, a setting, using half the words that these wonderful writers would use and yet be as poignant and vivid as any writer I have ever read. His descriptions of the bull fights at Pamplona and the fiesta are chilling and as splendid as anything I have had the pleasure to read.Tomorrow, July 2, marks the day Hemingway died. He once said, "The only thing a person takes with him when he dies, is what he left behind" and in his case he left behind brilliant novels and masterful short stories that never fail to amaze and astonish me.
With Hemingway it is in the details. I never really understood his stories for the longest time. I always just saw him pointing out everything and saying nothing. Making a story out of the little things that to everyone else mean very little. But Life is about the little details and about the subtle nuances. About the cab, about the stories of the characters before and after and during the novels. That he doesn't limit the novel to the story he is telling is an asset that is overlooked. At any point you can follow a character off into another network of complex and thoughtful stories. The audio book does not give Hemingway the justice his novels deserve. They are drab and boring to the point I was confused how he was a celebrated author, then I realized it was the audiobook and the narrators misunderstanding of Hemingway. Read Hemingway with the persistant question: why are the details and the small things in life a story unto its own. Especially in the context of a man who has seen his friends butchered and who himself has nearly been killed. Life takes on another type of beauty that critics cannot ever know.
If one were taking a course on "The American Novel in the 20th Century", I'm sure Hemingway would be featured prominently. However, for pure reading enjoyment, "The Sun Also Rises" falls flat. We meet a cast of characters that are tedious, scheming and wholly unlikable. We are then presented with a story that is little more than the characters doing a few things in between extended bouts of drinking. This is simply another Hemingway exercise in "manly men", chasing "confused women" during the years between wars. I've never been particularly taken by his celebrated style of sparse writing. For depth of character, give me Steinbeck. For richness of story, Faulkner. And for artful concision, I'll take Vonnegut. Hemingway has, and should have, lost his place among relative American writers of the 20th century.
What more to say about a classic that changed the way we think about the novel and writing and narrative itself? For all its brawl and sharp talk, its drinks and bullfights, notice how some significant scenes occur "off camera," and are related to us only second hand (we never see Cohn beat up Brett's matador lover, we don't see Brett with Cohn when they go off for their love jaunt) but we do learn about it at the same time Jake Barnes - the protagonist - does. Note also that for all of his sexual incapacity (from the war) Jake is able to "pleasure" Brett, if you read carefully. The idea of a hero who is sexually impotent yet in the eye of a sexual storm has its own particular flavor. The tough noir novels that followed and derived from Hemingway (Chandler) owe much to witty repartee and cynical responses to pain and losing the girl. I would almost call this a comic novel if it didn't have darker overtones. Wit and humor are present in nearly every chapter -as if Hemingway wants to tell us something else. As for the hard drinking I am sure some Ph.D. has estimated just how many liters of alcohol flow through the book and how many ccs of alcohol flow through the characters' veins. For those who read this when they were in high school and wondered what the fuss was about, a reread is worth it, keeping in mind how different his writing is to so much of what we read today, the short sentence, the absence of adjectives and adverbs, and the fact that the author almost never enters the minds of his characters but lets the reader infer everything from what is seen and "dialogued." As for the Kindle version, I found no typos or joined words that are sometimes the problem with "kindle'd" books. Much criticism exists on the internet about the "meaning" and the subtext of the book and reading around the text itself does help enrich the experience. That with this writing style, Hemingway shut the door on sentimentality, that his style is hard-boiled, that Hemingway learned from Ezra Pound to "distrust adjectives." In a future book (Death in the Afternoon) he explains his "iceberg" theory of writing: "If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing." Keeping things out causes a pressure on what is left in and the reader can sense and "intuit" the rest of the story.
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