Selasa, 29 November 2016

Free PDF The Pixar Touch: The Making of a Company, by David A. Price

Free PDF The Pixar Touch: The Making of a Company, by David A. Price

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The Pixar Touch: The Making of a Company, by David A. Price

The Pixar Touch: The Making of a Company, by David A. Price


The Pixar Touch: The Making of a Company, by David A. Price


Free PDF The Pixar Touch: The Making of a Company, by David A. Price

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The Pixar Touch: The Making of a Company, by David A. Price

Review

“Thumbs-up. . . . Full of fascinating characters, all struggling-in classic Pixar film style-to overcome seemingly impossible odds.” —BusinessWeek“You don't have to belong to the computer-animation generation to enjoy The Pixar Touch. . . . An entertaining look at digital derring-do.” —The Dallas Morning News “Price, a tough, unsentimental reporter, ferrets out lots of backstage drama from fresh sources, weaving a commendably unvarnished history.” —Entertainment Weekly “Unprecedented detail about the notoriously press-shy company's workings, a story that abounds with lessons for business people and creative artists alike.” —The Wall Street Journal “Inspiring.... Price is a smart reporter and a solid writer. He deftly makes computer arcana palatable, even interesting.”—The New York Times Book Review“It’s quite a story, and David Price has finally got it right, it’s details and the players. This is the definitive history of Pixar.” —Alvy Ray Smith, co-founder of Pixar “[A] brisk history of an entertainment juggernaut that is also the history of computer animation…a heck of a yarn, full of vivid characters, reversals of fortune and stubborn determination: Pixar should make a movie out of it.”—Kirkus Reviews (starred) “A tale of our times, and David Price tells it with page-turning drama, total veracity, and wonderful wit.”—Mark Cotta Vaz, author, of The Art of Finding Nemo, The Art of The Incredibles and Living Dangerously: The Adventures of Merian C. Cooper, Creator of King Kong

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About the Author

David A. Price was raised in Richmond, Virginia and was educated at the College of William and Mary, where he received his degree in computer science. He graduated from Harvard Law School and the University of Cambridge. He is the author of The Pixar Touch and Love & Hate in Jamestown.

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Product details

Paperback: 320 pages

Publisher: Vintage; Vintage edition (May 5, 2009)

Language: English

ISBN-10: 9780307278296

ISBN-13: 978-0307278296

ASIN: 0307278298

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

81 customer reviews

Amazon Best Sellers Rank:

#192,973 in Books (See Top 100 in Books)

This is of course a story about Pixar. But Pixar's story is the history of computer animation.When Toy Story 1 was released, I had some reservation about computer animation because I was sucha fan of Walt Disney's traditional, cell animation films. But I was so wrong.With computer, you can do much, much more in animation. This book answered some of the questionsI've had about how computerized animation films are made and who these people are at Pixar.Plus, if you are interested in Steve Jobs, Pixar's story can't be told without Jobs mentioned.Although Jobs definitely played a critical role in sustaining and growing the company, it is sometimes regrettablethat people tend to overemphasize his role while undermining those of others at Pixar. "The Pixar Touch" somewhatdemystifies that part.All in all, this is perfect for all animation fans.

A great look at the history of Pixar, stretching back from decades before its founding up through 2008. I was interested in reading more about Pixar after reading Steve Jobs by Walter Isaacson and Becoming Steve Jobs. The information covered in this differs a little bit from the accounts given in the Steve Jobs biographies about dealings at Pixar, so I was glad to be able to read another perspective. This was just a great book.

I highly recommend this book for anyone that is interested in hearing about a true Cinderella story. Pixar was able to come back from rejections from Disney and eventually became a huge part of Disney films. It brings to our attention what it takes to make someone's dream come to life and how hard you have to work to get to where you want to be. Although Catmull was turned down for computer graphics he was offered a position to help with the Disney parks, but he in turn rejected Disney because he had his own goals that he wanted to reach. The book also talks about how Toy Story almost never came to life because it did not fall under what Disney believed and was part of the reason that they had planned to not finance the film. With a few adjustments to the films story, Disney did eventually finance the film and it turned out to be one of the best decisions either company could have ever make. The film not only brought in money for the two companies, but it also set up a partnership that has been very successful and will continue to be successful.

This book should be a must-read for any business student. It is a great summary of how the company Pixar struggled to life and then found great success. The book covers ground-breaking innovations in animation and software development. It's also a candid view of start-ups. The audio book has a wonderful narrator, but there is so much information that reading the hard copy is a better option.

I re-read this book after reading the more recently published book co-authored by Bill Capodaglio and Lynn Jackson, Innovate the Pixar Way: Business Lessons from the World's Most Creative Corporate Playground. (They also co-authored The Disney Way, Revised Edition: Harnessing the Management Secrets of Disney in Your Company.) Karen Paik is the author of another book, To Infinity and Beyond!: The Story of Pixar Animation Studios, that also provides a wealth of information about a unique organization and the brilliant people who have been centrally involved in it for more than 20 years.Others have their reasons for thinking so highly of The Pixar Touch. First, David A. Price's does a brilliant job of delineating the complicated chronological sequence that began with the hiring of Edwin Catmull (then at the New York Institute of Technology) to head the graphics group within the computer division at Lucasfilm (1979). Subsequently, Pixar Animation Studios (later shortened to Pixar) was purchased by Steve Jobs in 1986. After a highly successful IPO (11/29/1995), Years later, Jobs sold it to the Walt Disney Company for $7.4 billion (in an all-stock deal) in 2006. Price covers each of the company's transitions thoroughly without bogging down in details. With the predictable exception of Jobs, those who provided leadership at Pixar demonstrate remarkable composure, indeed style and grace, during difficult times and sincere appreciation when lavished with praise, awards, and wealth. (Jobs's primary - if not only - motive was and remains, the creation of "insanely great work.") Price's mini-biographies of the major figures probably provide the information that most people require.Second, I was especially intrigued by the fact that the key people provide what Price characterizes as "unlikely ingredients" for success when they joined Pixar. John Lasseter was hired by Disney immediately after college and had just been fired. Catmull had been turned down for a teaching position and "ended up in what he felt was a dead-end software development job" at Computer Graphics Lab. Alvy Ray Smith was employed by Xerox's Palo Alto Research Center (PARC) "and then abruptly found himself out on the street." As for Jobs, he had been forced from the company he co-founded, was widely ridiculed, and considered a has-been. Price suggests that, despite and perhaps because of these and other serious setbacks, those who established and developed Pixar illustrate Joseph Schumpeter's observation that successful innovation "is a feat not of intellect, but of will."Finally, I admire Price's skills when explaining the artistic significance of each of the feature films that Pixar has produced from Toy Story (1996) until WALL-E (2009). He establishes a multi-dimensional context for each, identifying the challenges the production process faced and eventually overcame. With regard to the creative process, for example, the original attributes of the two central characters in Toy Story (Woody and Buzz Lightyear) underwent significant changes as did the initial thoughts about the relationship between them. Those involved in collaboration at Pixar have always followed John Lasseter's admonition that "quality is the best business plan" and embraced Ed Catmull's assertion that perfection is a minimum standard. Production of each of the other feature films also demonstrates the same commitment to artistic standards that few other films achieve.Leaders in any organization can read and re-read this book, then attempt to apply the business principles and core values that define what Pixar does and how it does it. Although the principles and values are sound, however, they are insufficient. What is also needed is the Pixar "touch" and there is no way that David Price or anyone else can explain how to develop it but you'll know it when you see it...in any of the Pixar films.

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Kamis, 17 November 2016

Free Download Bit by Bit: Social Research in the Digital Age

Free Download Bit by Bit: Social Research in the Digital Age

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Bit by Bit: Social Research in the Digital Age

Bit by Bit: Social Research in the Digital Age


Bit by Bit: Social Research in the Digital Age


Free Download Bit by Bit: Social Research in the Digital Age

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Bit by Bit: Social Research in the Digital Age

Review

"Winner of the 2019 PROSE Award in Textbook / Social Sciences, Association of American Publishers""Salganik is one of the first natural-born computational social scientists, a sociologist whose doctoral work was one of the early landmark projects in the field. Bit by Bit is 90% textbook, 10% biography, putting into personal context issues that Salganik was among the first to wrestle with. . . . The text is clearly written--even breezy, in parts. It puts the reader in the shoes of the researcher: What decisions were made, why, and were those the best choices? It is suitable for an advanced undergraduate or graduate class in methodology, with a rigorous, mathematical appendix and a range of useful problems at the conclusion of each chapter."---David Lazer, Science"This is a book to return to time and again. . . . Bit by Bit should be widely read by those engaging in social research, as well as beyond."---Farida Vis, Times Higher Education"An enticing and important field guide to the new frontier of digital social research that will be of interest whether one is trying to figure out how to do more evidence-based policymaking or simply sell more toothpaste online. Impeccably organized and beautifully written in clear and accessible prose, the book doubles as a methods textbook for university students studying social and data sciences (or any field where research is at the center)."---Beth Noveck, Forbes"Given the book's breadth, it is a recommended read for all scholars interested in the role that the internet and big data can play in social research."---Tatsiana Amosaya, Canadian Journal of Sociology"The implications and potential for social science arising from the availability of large amounts of data have been comparatively overlooked. This book provides a welcome insight into what can be achieved, and also an exemplar curriculum for graduate studies."---Thomas King, Journal of the Royal Statistical Society"A timely and important must-read for anyone interested in the intersection of social science and big data."---Magdalena Wojcieszak, International Journal of Press/Politics"In this engaging book about the evidence base of social scientific discovery, Matthew Salganik takes us on an important journey--from asking people their opinions, to watching and recording what people do, to noticing when the world inadvertently creates research data, to convincing research subjects to collect data for us, and even to recruiting thousands of citizens, citizen-scientists, and social scientists to collaborate in data collection and analysis."--Gary King, Harvard University"Digital data is transforming social science, driving exciting innovations in methods while also raising difficult questions about reliability, relevance, and ethics. Written by one of the world's most respected computational social scientists, Bit by Bit addresses the benefits as well as the pitfalls of leveraging digital data for scientific insight. The result is a highly readable yet intellectually rigorous introduction to the brave new world of computational social science."--Duncan Watts, Microsoft Research"This thoughtful, elegant, and entertaining book will be the how-to manual for doing exciting social science in the digital age. For anyone who wants to do experiments in an ethically sound way, it will be indispensable."--Helen Margetts, director of the Oxford Internet Institute

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From the Back Cover

"In this engaging book about the evidence base of social scientific discovery, Matthew Salganik takes us on an important journey--from asking people their opinions, to watching and recording what people do, to noticing when the world inadvertently creates research data, to convincing research subjects to collect data for us, and even to recruiting thousands of citizens, citizen-scientists, and social scientists to collaborate in data collection and analysis."--Gary King, Harvard University"Digital data is transforming social science, driving exciting innovations in methods while also raising difficult questions about reliability, relevance, and ethics. Written by one of the world's most respected computational social scientists, Bit by Bit addresses the benefits as well as the pitfalls of leveraging digital data for scientific insight. The result is a highly readable yet intellectually rigorous introduction to the brave new world of computational social science."--Duncan Watts, Microsoft Research"This thoughtful, elegant, and entertaining book will be the how-to manual for doing exciting social science in the digital age. For anyone who wants to do experiments in an ethically sound way, it will be indispensable."--Helen Margetts, director of the Oxford Internet Institute"A tremendously useful introduction for data scientists to the pressing questions of the social sciences, and for social scientists to the mindset and toolset of data science. With skill and scholarly insight, Salganik addresses the ethical questions that arise at the intersection of data science and social science."--Chris Wiggins, Columbia University"Bit by Bit is, by far, the best and most up-to-date book on modern social science. Salganik writes compellingly and inspiringly. He has done a wonderful job of collecting a diverse set of meaningful examples and describing how they are important in language anyone can understand."--Sean Taylor, research scientist, Facebook"This book is a gem—a rare combination of a highly accessible and engaging writing style coupled with an introduction to advanced computational methods for collecting and analyzing observational and experimental data."--Michael Macy, Cornell University

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Product details

Hardcover: 448 pages

Publisher: Princeton University Press (December 5, 2017)

Language: English

ISBN-10: 0691158649

ISBN-13: 978-0691158648

Product Dimensions:

7.5 x 1.2 x 9.2 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#132,317 in Books (See Top 100 in Books)

Bit by Bit is, for a textbook, surprisingly engaging and well written. In it Dr. Salganik describes the changes that Big Data is causing in the social sciences. Written from an optimistic perspective, the text focuses mainly on the new kind of experiments Big Data makes possible. The citations to exemplar papers in the social sciences using Big Data are particularly helpful.The one hesitation I have about recommending the book isn’t a fault in the text itself. I conduct retrospective observational studies in health care for a living. While research like this is briefly described, the book is really intended as a text introducing advanced collegians or graduates to the types of social science research now possible given the Big Data revolution. It is not, for example, a technical summary of all the many ways to conduct a case/control experiment or the types of results that can be found with various kinds of regression analysis.In other words, the book is very good in what it sets out to do but shouldn’t be used more expansively as a technical introduction to social science research.Since the book is written so engagingly, with true excitement over the research potential of Big Data, the book is best used to get young social scientists interested in this kind of research—even to writing a doctoral dissertation of this kind. Supplemented with the actual papers cited in the book, I can’t think of a better text to make social science research interesting and important.In short, a unique introduction to the kinds of research now possible in social science. Just do not try to use the book beyond its stated purpose.

This book is fantastic. As a sociologist, I've been waiting for a book like this to introduce the world of social science to digital age methodologies. Very clear and easy to read. It was for a class, but it was so interesting, I just kept reading it and finished it in a couple of weeks.

This book covers many uses and issues with data science. Even if you know the topics the papers the author goes over are very interesting and a good reference.

Excellent book for social scientists!

Salganik is at the forefront of a new era that brings social science into the digital age. The book goes well beyond "big data" to unpack the possibilities of doing social science research at a massive scale, and relatively inexpensively. This book should be read by social scientists who want to expand their research horizons, data scientists who want to understand how to incorporate the insights of social science, and anyone in a line of work in which they have potential data that can give them insights into how people behave.The great thing about the book is that it's written very accessibly and leans heavily on vivid examples to illustrate the principles it's trying to explain, so that it paints a clear picture rather than getting lost in abstractions and theoretical possibilities.

Though I am neither a social scientist nor a data scientist, I found this well-organized, well-reasoned book of great interest. The chapter on the ethics of social research using digital information is particularly acute. A copious use of examples and clear summaries of various studies make the analysis clear and compelling. The formulas are kept to the back of each chapter and can be skipped by the lay reader or appreciated by those in the field. The bibliography is vast and full of recent work. The informal writing style aids accessibility.

Accessible but technically sophisticated treatment of issues in contemporary social research.

Everything about this book is STELLAR. The research by Salganik is SUPERB and I would highly recommend this masterpiece to anyone and everyone! Would give 6 stars if I could!!! Perfect stocking stuffer!!

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Selasa, 08 November 2016

PDF Ebook Here (Pantheon Graphic Library), by Richard McGuire

PDF Ebook Here (Pantheon Graphic Library), by Richard McGuire

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Here (Pantheon Graphic Library), by Richard McGuire

Here (Pantheon Graphic Library), by Richard McGuire


Here (Pantheon Graphic Library), by Richard McGuire


PDF Ebook Here (Pantheon Graphic Library), by Richard McGuire

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Here (Pantheon Graphic Library), by Richard McGuire

Amazon.com Review

An Amazon Best Book of the Month, December 2014: I love older buildings. I live in one now, and despite the single circuit electricity that shorts-out on a regular basis, the lack of insulation, and other aspects of its “charm,” the place has tales to tell. And I’m a sucker for stories. Who lived there before me? What were their lives like? Whose idea was it to paint the living room baby diarrhea green? But my limited imagination only goes back a hundred or so years, when the apartment was first built. In Here, groundbreaking graphic novelist Richard McGuire takes it much, much! further—visualizing the goings-on in a specific corner of a specific room over the course of hundreds of thousands of years (past, present, and future). The result is an orgy of the ordinary that is slyly clever and unexpectedly moving. McGuire first conceived of Here in 1989. It was a six-page comic whose influence ended up being as enduring as the room in which it is set. So, the arrival of this expanded edition is cause for much celebration in graphic novel circles, and as it turns out, in mine as well. I don’t typically read graphic novels, but Here is anything but typical. And, when I sit in my little corner of the world, I’m envisioning the future for a change—all the book-loving brethren who will inhabit that space after me, who I hope will discover and delight in Here, too. –Erin Kodicek

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Review

**A New York Times Notable Book of 2015**Luc Sante, The New York Times Book Review“Brilliant and revolutionary…. In “Here,” McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as trans­temporal windows into the larger frame that stands for the provisional now. “Here” is the ­comic-book equivalent of a scientific breakthrough. It is also a lovely evocation of the spirit of place, a family drama under the gaze of eternity and a ghost story in which all of us are enlisted to haunt and be haunted in turn.” Chris Ware, The Guardian“A book like this comes along once a decade, if not a century…. I guarantee that you’ll remember exactly where you are, or were, when you first read it.”Jennifer Schuessler, The New York Times“Getting from here to there can be hard enough. But it has taken Richard McGuire 25 years to do something even more complicated: get form here to here….the book promises to leapfrog immediately to the front ranks of the graphic-novel genre.”Etelka Lehoczky, npr.com“The magic of Here is that somehow, alchemically, this sparse little exercise begins to yank on your emotions. As your eye lurches around the page, as you flip back and forth between pages, an irresistible sentiment swells. Rare among conceptual works, Here manages to tug your heart even as it undercuts your comfortable role of reader.... Meanwhile, though, the past and present humans continue their tender little lives. Telling stories, playing, making love — what will be their fate? That’s just one of the countless questions Here leaves unanswered. Even so, it’s deeply satisfying. Kind of like a story that never ends.”Marnie Kingsley, San Antonio Current“Imaginative and ingenious, Here transcends the canon of traditional graphic novels. McGuire discusses the inconsistencies of memory, a central theme of Speigelman’s Maus series. He readapts the labyrinthine quality of Alison Bechel’s Fun Home and focuses on the small moments of everyday experience, similar to parts of Craig Thompson’ autobiographical graphic novel Blankets. However, Here retains almost no qualities of a novel: It is non-linear, there are no distinct characters, apart from the space, and there is no plot. Despite these seemingly large hurdles, McGuire produces a reading experience that is emotional, thought-provoking and interactive.... A brisk and brilliant read, Here combines genres and styles in a meditation on impermanence and the processes of memory.”Financial Times“McGuire is able to wring a surprising array of emotions from simple lines and blocks of muted colour interspersed with deliberately hackneyed jokes and the uncanny wisdom of the everyday. And the non-chronological arrangement seems faithful to how consciousness really works, the way we shape and reshape the story of ourselves by editing and re-editing highlights from our lives. I found it compelling to shuttle around in time to discover how earlier events informed later ones. Midway through the book one character says to another: ‘Life has a flair for rhyming events.’ Clearly, McGuire does too.”Straight.com“Even as the ground beneath your feet falls away, McGuire creates poetry out of the echoes that’s both playful and moving.”Minneapolis Star Tribune“For the long-awaited book-length ‘Here,’ McGuire adds lavish color and some plot, but he preserves the captivating, uncanny sense of love, anger and tragedy flying across the centuries while staying in one place.”Dominicumile.com“A new, full-color graphic novel version of Here is stunning. Over more than three hundred pages, McGuire revisits and rebuilds his original strip with flashy interiors set in vivid pastels, and landscape sequences fleshed-out in moody watercolors, computer software-built textures, and sketchy pencil lines….. memorable and executed wonderfully” Patrick Lohier, Boingboing.net“I soon found myself immersed and often moved. Here has the surprising depth as a magician’s top hat. The combination of the surreal and the nostalgic are mesmerizing. The book is an ingenious epic of time and space, and I think readers everywhere, and of many ages, will find it delightful.”Publishers Weekly (starred review)“Expanding on an influential piece that first appeared in Raw in 1989, McGuire, best known for his illustrated children’s books, explores a single patch of land (apparently in Perth Amboy, N.J.) over the course of millions of years…. The flat, hard lines produce art that looks like an approximation of Edward Hopper’s clean bright paintings, created on an outdated computer program. McGuire threads miniplots and knowing references through his hopscotch narrative, building up a head of steam that’s almost overwhelmingly poignant. His masterful sense of time and the power of the mundane makes this feel like the graphic novel equivalent of Terrence Malick’s The Tree of Life.” Kirkus Reviews (starred review)“Later spreads flash with terrible and ancient supremacy, impending cataclysm, and distant, verdant renaissance, then slow to inevitable, irresistible conclusion. The muted colors and soft pencils further blur individual moments into a rich, eons-spanning whole. A gorgeous symphony.”Booklist (starred review)“McGuire’s quiet artwork in a subdued full-color palette reveals nuanced gestures beautifully, sometimes with precise lines, others in sketchy sepia tones, all of which emphasize the passage of time. The concept is stunningly simple, and in laying bare the universality of existence—its beauty, ugliness, and mundanity—it is utterly moving.”

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Product details

Series: Pantheon Graphic Library

Hardcover: 304 pages

Publisher: Pantheon; 1 edition (December 9, 2014)

Language: English

ISBN-10: 0375406506

ISBN-13: 978-0375406508

Product Dimensions:

6.8 x 1.1 x 9.5 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

94 customer reviews

Amazon Best Sellers Rank:

#23,625 in Books (See Top 100 in Books)

Hey fellow Amazoners. I'd like to start off this review by saying that I'm an avid comic book reader (mostly of DC and Batman stuff). If you read superhero type comics, then this will be a totally different experience than what you're used to. This graphic novel is like nothing I’ve ever read before. it's a seemingly simple concept that manages to deliver a multilayered and intriguing tale that tackles the old thought of “if these walls could talk”. It's a story that follows several narratives over time from the perspective of one corner of a room. These stories, though separated by mass stretches of time, some how interweave and connect on various levels ranging from deeply thought provoking to humorously mundane. There's a certain mystery to some of the stories as elements are revealed in tiny subtle fragments at a time. It is up to you, the reader, to piece these fragments together in order to see the full picture.It was truly a joy to flip though these pages and it was a pleasant break from my fast-paced Batman comics. It's not for everyone since the concept is so unique, but if you’re into unique and original graphic novels, then you will most likely find this enjoyable.

This was released near the end of 2014 and Chris Ware (of Jimmy Corrigan and Acme Novelty Library fame) wrote a fascinating review for the Guardian on December 17 that year. He wrote that this was "mind blowing" and incredibly influential. A 6-page version of this 300+ book appeared in Raw comics in 1989 - and Ware claims that it was hailed as monumental back then. I highly recommend reading that review after finishing this masterpiece.It's the story of a place on Earth - a specific place. All the action is centered in a living room of a house. This house exists from the early 1900's into the mid 2100s. McGuire moves us far back (to 1870, 1775, 1620, 3M BCE) and forward (2051, 2113, 10000 (or so)). We see what was in the space before the house, way before the house, and after the house.The time of the house's existence gets the most attention, and we see the wallpaper and paint change from 1914 to 1933 to 1959 to 1971 to 1986 to 1999 to 2007 to 2016. McGuire does an amazing job illustrating different chairs, clocks, televisions, clothing, lamps, paintings, tables, toys and other items that define a place in time. Those details are truly remarkable and stunningly accurate - it would be fascinating to watch or read an interview with Mr. McGuire and find out how much time he put into researching the Tiffany lamp or the old wooden rocker and other items.Most significantly, he shows us how humans (and creatures) are all after the same things: eating, communicating, sleeping, romancing...simply and positively living. We see several families come and go, husbands and wives interact, children go, people age and die.Even though it is never said, the house is set in NJ. It is evident because Benjamin Franklin and his son have a quarrel in a neighboring house in 1775. Franklin's son was the last colonial governor of NJ.

Here is a text unlike anything I have ever "read" and has to be seen to be understood; I unfortunately cannot do justice to describing it as I have not entirely figured out how to describe it. In essence, Here is a graphic novel, wherein each page is a two page spread of the same space shown from the same angle. Each page has a primary backdrop of this space with its year identified, then inserts vignettes of other periods throughout history (and the future) of something else happening in that same space. And through these vignettes, the author is able to comment so much on life, what it means to be human, the importance and meaning of a space, how we all age, love, loss, our habits, and, ultimately, how we are all - in some way - connected through time.There is no narrative in Here, but it is full to the brim with stories. It is non-linear. You could have 5 pages in a row set in 1972, with the main action spanning only a matter of moments - with peeks into other times where something similar (or something irrelevant) were happening in the same space. On the other hand, one page may show 3,000,000,000 BC and the next 1915 and the next 1775. The space itself is the main "character." But through the timestamps, you come to identify other characters and flip back and forth watching their lives progress. Sometimes a vignette covers some detail in the room, to be revealed later by carefully noticing that the time of the setting was the same as something previously glimpsed. It seems every image is extremely deliberate and packed with meaning. Here is driven by subtext and attention to detail - yes, there is some dialogue (sometimes a "conversation" spanning centuries, unbeknownst to the characters shown in the space, but offered clearly clear to the reader), but not such that it is used as the driving vehicle of the text. Spoken word is offered more as a reflection. I could not put this down - when it first arrived I flipped it open and, immediately intrigued by the concept, flipped around a bit. I got home from work and started at page 1. Before I knew it, I was a small chunk of the way through and absolutely needing to attend to something else - I begrudgingly put it down. The next time I picked it up, I did not put it down until it was finished, and I had sufficiently flipped back and forth to get a clear picture. It is a mesmerizing work and it is entirely unlike anything else I know.I have never experienced something where the medium itself plays such a role in the narration, is so defining, and is so unique. There were moments where my jaw dropped out of disappointment of shock at something happening in the space. There were times I would smile as something relatable to my own life was captured. There were moments of deep connection, seeing what life for my parents must have been like (even moments I felt I almost recognized from photos of their youth) or of my more distant ancestors. There were times I chuckled at a clever use of medium by the author, and numerous times I simply had to stop to say "that is brilliant. Simply brilliant." There were revelations, when something was uncovered, or a character reappeared that force deep introspection. The visual medium (and simply, blotchy almost watercolor style artistry) made this a history tangible in ways text alone never could be. And beyond that, given the static viewpoint, the role of perspective, and the way objects appear as different sizes and play with perspective in the space across time, make this a joy to look at and something that makes you want to pay attention to the details.Overall, Here is shockingly powerful and a massively pleasant surprise. It has the emotive force of great art, provided as a collection that I bet will reveal more and more with repeated visits, and which begs to be revisited. It has been a long, long time since something has been so fresh and has so resonated for me.

A new language in graphic novels has arrived. It tells a story by not telling a story. It can explain eternity in a small suburban living room. It proclaims statements on the human condition, precisely by not telling a story about humans.The pages contain mostly a few meagre frames, always of the same threadbare room, tinted in the palette of faded memories, yet the myriad stories they tell us! The way they overflow through time and space, with their unique power to summon our sense of insignificance, and celebrate our uniqueness at the same time, and most importantly, their refusal to be shackled into a single genre: all of these breakthroughs conspire to give us a breathtaking and stunning experience that is Here.

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Sabtu, 05 November 2016

PDF Download Rick Steves Ireland 2019, by Rick Steves

PDF Download Rick Steves Ireland 2019, by Rick Steves

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Rick Steves Ireland 2019, by Rick Steves

Rick Steves Ireland 2019, by Rick Steves


Rick Steves Ireland 2019, by Rick Steves


PDF Download Rick Steves Ireland 2019, by Rick Steves

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Rick Steves Ireland 2019, by Rick Steves

About the Author

Since 1973, Rick Steves has spent about four months a year exploring Europe. His mission: to empower Americans to have European trips that are fun, affordable, and culturally broadening. Rick produces a best-selling guidebook series, a public television series, and a public radio show, and organizes small-group tours that take over 30,000 travelers to Europe annually. He does all of this with the help of more than 100 well-traveled staff members at Rick Steves' Europe in Edmonds, WA (near Seattle). When not on the road, Rick is active in his church and with advocacy groups focused on economic and social justice, drug policy reform, and ending hunger. To recharge, Rick plays piano, relaxes at his family cabin in the Cascade Mountains, and spends time with his son Andy and daughter Jackie. Find out more about Rick at www.ricksteves.com and on Facebook.Connect with Rick:facebook.com/RickStevestwitter: @RickStevesinstagram: ricksteveseuropePat O'Connor, an Irish-American, first journeyed to Ireland in 1981, and was hooked by the history and passion of the feisty Irish culture. Frequent return visits led to his partnership with Rick, his work as a tour guide for Rick Steves' Europe, and co-authorship of this book. Pat, who loves all things Hibernian except black pudding, thrives on the adventures that occur as he slogs the bogs and drives the Irish back lanes (over 2,000 kilometers annually) in search of new discoveries.

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Product details

Series: Rick Steves

Paperback: 615 pages

Publisher: Rick Steves (November 13, 2018)

Language: English

ISBN-10: 163121831X

ISBN-13: 978-1631218316

Product Dimensions:

4.1 x 1 x 8.1 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#696 in Books (See Top 100 in Books)

I bought another travel book about Ireland and it was ok but when I got his book, I couldn’t stop pouring over it! Great info for someone who has little knowledge of what to see and do. I had made a list of what I thought we would like to see and Rick made it easy for me to incorporate it into a travel plan based on his advice! Excellent book and I’ll take it with me when we visit Ireland! Can’t wait!

It's not a European adventure without a hardcopy of Rick Steves in your backpack. His books are like bringing your dad on vacation - if your dad had really good advice and knew how to give free walking tours.

Excellent resource book in planning a trip to Ireland. User friendly.

The thought i paid almost 20 bucks for a travel guide with all black and white photos, especially when the scenery is Ireland? I am sure the information is relevant and helpful but it was sadly disappointing. I know color is expensive but at least one or two throughout the book would of been a show of good effort.

Great book. Covers each town with good detail and only the best highlites. Recomend

Rick Steves travel guides never fail to help you save money when you are traveling. Suggestions have saved us money and time on past trips to Ireland. I expect the same with this one.

This guide is organized in a very logical manner, making it easy to find specific areas you are looking for. The information offers suggestions for all budgets, as well as where to find the best entertainment. Definitely my go-to for all travel, this book will go with me in my journey.

There is no information or even mention of Limerick, and the only mention of Cork is that it is the major city in Southern Ireland and 5 miles from the Blarney Stone! We are going on a concert tour this summer that includes overnight stays at these 2 cities and need to know detailed info about each. Sending this book back.

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Jumat, 04 November 2016

Ebook Download

Ebook Download

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Ebook Download

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Product details

File Size: 1773 KB

Print Length: 360 pages

Publisher: Syngress; 1 edition (April 20, 2011)

Publication Date: April 20, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B004YKEANK

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Amazon Best Sellers Rank:

#206,185 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Outstanding explanation & how-to of Risk Assessments that exceeds CRISC BOK. Book is a must-read before taking the CRISC exam & marketing your resume or beginning your RA program.

Needed this for class.

This book is an excellent and practical introduction to information security risk management. Wheeler starts off with overviews of basic concepts, like how to define and understand risk and its components, breaks down common pitfalls of infosec (like ignoring business needs), and launches into a usable, approachable structure that you can use to asses and deal with risk in your network or organization. The book is full of case studies and security "deep dives" where concepts introduced in the previous chapter are used in real world situations. The writing is clear and refreshingly informal, and the lessons in the book can be put into practice immediately at your organization. Wheeler even includes four chapters at the end of book that introduce a practical approach to creating a formal and effective risk management system in organizations that lack one.Overall, well written, doesn't require you to have experience in info to understand it, and useful.

Easy to read and informative. Explains the full cycle of risk management with real world examples. Will continue to use this book as a reference.

This was very helpful to me in my career. I am CRISC certified, but I found this to be a great tool as I will be starting a program from scratch and has a very down-to-earth approach.

I would recommend this to anyone seeking out of the checklist approach to security risk management.

Great to the point and very practical.

Its a good read. Very complete information, I found it easy to read and understand and I don't have a technical background.

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